3/02/20

Rori Witu (As Ngadanese Traditional Hunting)

VOXRATEWATI.Com. By Wara Cypriano

Rori Witu or To'o Lako  (As Soa Tribe traditional hunting)


photo insert taken from www.Google.com

The traditional hunting  (Rori Witu) is an annual ritual for Soa tribe. It is the local culture of Ngada Regency especially in Soa sub – district still came down to this day. The traditional hunting activities were usually placed in the calendar cycles based on the local culture system of the local agriculture. This tradition was closely related to people’s beliefs ritual existence being ability wild animal like board (Hui) or deer (Kogha) that can be damaging for all plants that venture into the local communities to fulfillment their daily needs. This ceremony will be held every year as an annual ceremony. 

The indigenous hunting tradition in Soa included several villages namely Mengeruda (Witu Menge), Lo’a (Witu Lo’a) Seso (Witu Welu) and also Libunio village (Witu Nio). This traditional hunting carried out in accordance with the local – based of the lunar calendar. It was usually carried out from June to October in the year. The traditional hunting was held of each village with have the different time. The traditional hunting activity was determined by the local leaders (Mori Raghu/Rawu Witu) in accordance with the lunar calendar customs. The traditional hunting had some equipment such as spear (Tuba), barbed spear (Bhou) or like a sword (Sodi). The barbed spear shaped like a fishhook.

The hunters usually came from all communities of Soa would do hunting and were not restricted to either children and adults. They   usually hunted by using horses (Zara) or on foot. In its effort to obtain the bluish animals the dogs were always accompany the hunters. All the dogs were deployed to search the boars or deer (Hui no’o Kogha). The hunters were always scrambling by each other, so that no one is getting a whole body of an animal but they had partly such as the head, feet, or hands etc. The hunters scrambled the animals to show their knight stronger. Not all the hunters got the animals if they did not strength to scramble with the other hunters. But, it was always do in hospitality and the spirit of brotherhood. 

In every villages, the stages of the traditional hunting (Rori Witu) in general were common but some of steps are different such the stages of the ritual at night until the next day will do the hunting.
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In Soa district of Ngada Regency, one village conducted the traditional hunting was Libunio village. Libunio is one of a local tribe. In Libunio village had two main traditional ceremonies such traditional boxing (Sagi Adha) and also traditional hunting as known (Rori Witu Nio). There were several stages that became a series of major ritual that must be held before the implementation of the indigenous hunting. Rori Witu Nio started with cooking the rice beans (Ka Nika Lebha). Lebha was a kind of bean as cooked with rice as an opening meal before the traditional hunting day. The next day was continued with the ritual of Pau.  The Pau ceremony was a ritual in which was of Nio tribal communities (Suku Nio). It was the time that forbidden to carry out agricultural activities such as cutting the trees, or burning of the garden. People who were trespassed the rule will be penalized by the local leader. A few days later, all adults (male) go looking for the shrimps (Ko Kuza) is called (Heza) ritual. After that, the next day was followed by the (Bato) ritual. It was the ritual of eating shrimps. A further ceremony was (Sina Oro) as the ritual to prepare a segment of bamboo that had been cleaned to be dipped in the river. 

If everything was prepared well then, continued with (Bhore Tua). At the night, where the next day will do the hunting, the local leader (Mori Raghu Witu) held the ritual of Pepu. The Pepu ritual was conducted as last preparation of the traditional hunting day. The local leaders asked the rice of bamboo (Mama Toke), and collected the ginger (Pai Lea). The ginger was used to treat that hunters got wound as the traditional medicines. All the things were distributed to the girls who was who completed the ceremony of initiation into adulthood customary (Kiki Ngi’i/Bu’e Muzi) who participated in the day of traditional hunting.  The girls will redeem the existing bush meat on the hunters. In Pepu ritual was also the Mori Raghu prayed and pleaded to the ancestors and the forest watchman in order to collect the deer or boars (Pai Nitu Kogha no’o Hui) in the places that the hunters conducted the traditional hunting. The Pepu ritual was also to prohibit to all the tribal community were not to wash their face, or oiling their hair especially on the first day of hunting.  

When all phases as the series of the indigenous ritual before hunting has been carried out, finally the time of the hunting has come. The Mori Raghu and members gather in the center of village (Kisa Nua) doing the hunt commencement ceremony and marching toward the firebox place (Saka Api) by the traditional singing.  Arriving the Saka Api place, the fire arose by swiped (Pake Zoze) of the dried bamboo (Bheto Rogho) and alang – alang (Keri). This ignited a fire that has been used as a source of fire that used to burn the forest as the place to hunt. The traditional hunting conducted for three days. The hunters did not return to their village but lived in resting area (Loka) during the hunting took place. Returning from the hunting areas, the hunters sang the traditional singing. The meat as their hunting’s got to eat together with the family members of Nio tribal community and its blood smeared on Beso or the point of Mori Raghu (Basa Beso Mori Raghu)

By Siprianus Wara

 (Adapted from an interview resulted with Bapak Adrianus Rato as one of the local leader of Libunio village on June, 2017)

Reba (As Ngadanese Thanksgiving Celebration)

VOXRATEWATI.Com. By Wara Cypriano

Reba

Reba was one of the most important harvest ceremonies that held annually in Ngadanese culture. It was to express gratitude towards the ancestors for the past year and asking for a fortune of the new-year. In the villages, the people usually were preparing the sacrifices. The Reba ceremony used to evaluate everything about life of the society in the previous year is that have been undertaken by the Ngadanese local culture. The community asked the suggestions to the religious and the traditional leaders to be able to live better in the new -year. 

Reba was scheduled and executed according to the local calendar. Therefore, it did not have a great time in the national calendar. Reba was usually held around the month; such as in Sada was held in early of December, in Doka, 25 km from Bajawa go on middle of December and also in Bena-Tiworiwu, Aimere. On January is held in Nage-Dariwali and also in Aimere, Wogo – Ratogesa, Golewa, Langa or Beiposo-Wawowae and also held in Bajawa. Reba ceremony also conducted in February were in Nenowea in Jerebu’u, Mangulewa or Turekisa Sobo in Golewa, and also in Gisi-  Golewa. The Reba ceremony started with “Bhui Loka”. It was as the initial part of the Reba ceremony, where a scared place in the village was ritually cleansed and sacrifice animals were given to the ancestors. For the ceremony, all the families such as the family members (Ana Sa’o), tribe members (Ana Suku), village members (Ulu Eko) have gathered in the main village as the traditional village.  

The ceremony held on three days in this village with houses representing of each clan. Several sacrifices of pigs and chickens are carried out at the many ancestral shrines in the village. After “Bhui Loka” every family returned to their clan’s house to conduct some ceremonies. The families got together in the inner part of house where they cooked meals in their daily life. At that moment, the family members discussed and plan for the next year agenda such as, whether any renovations have to be done on the house, the cleaning and maintenance ancestral shrines, or even upcoming weddings. After sunset, the village elder meets by a tall bamboo pole where they will perform the ritual of “Dheke Reba” until the crack of dawn. 

In Dheke Reba time, all guests came and joined into their family. The dancers and the ceremony participants who had to go on until the morning hours in was a good spirit. The local liquor was served as well as three additional meals. These meals also initiated “Ka Maki Reba”, it was the mass fast, which was to last until the next night. The ceremony includes ritual practices, dance and perform the traditional music and singing called (O Uwi). The dancing was seen as a means to connect to the earth through feet pounding on and on and express the people’s longing for the best harvest. At the end the third day all the rituals are sealed by “Dhoi” is a farewell ceremony for the families that must returned to their village, so ancestors could protected them on the way home. So that was the series of the Reba ceremony were ended. 
(Adapted from idahnyaflores.blogspot.co.id)

Bombardom (As Ngadanese Traditional Music Instrument)

VOXRATEWATI.Com. By Wara Cypriano

Bombardom


Bombardom is a traditional wind instrument in Ngada Regency that still exists until today’s modern generation. The Bombardom made of two types of bamboo in the local language is called Peri and Ila. Bamboos that are large (Peri) serves accommodate the air and small bamboo (Ila) function blowing air. Sound bamboo container made in two forms namely measuring 75 centimeters long and the short 53 centimeters. While bamboo blower noise (Ila) seven centimeters longer than the size of a large bamboo. The hole on large diameter of bamboo is about five centimeters. The Bombardom produces two types of sound those are baritone and soprano. 

The Bombardom is a musical instrument inherited from the ancient time until now. Since the last decades as a companion instrument to other instruments such as flute or Foy doa. In the days, the Bombardom is not familiar with modern instruments. The Bombardom is into a musical instrument that is always used by the community to accompany the songs in any event, for example during a visit by government officials to villages. Bombardom also used as a musical instrument in a prospective marriage partner before heading to church and greet after the return of the church. 

The Bombardom raw material is bamboo types of elves and small bamboo (Ila). These plants are still many in the region. The Tolelela village is a village as make the Bombardom musical instrument. On average people in the village are already skilled blew the Bombardom. Todays’ generation try to maintain and preserve the musical instrument Bombardom so as not eroded by the impact of globalization. Therefore, with the development of increasingly rapid technology along come the modern musical instruments of Bombardom. To make the traditional musical instruments exist, the local government have program to preserve the culture, a lot of parties or organizations began exploring the potential of culture and seek to revive the traditional musicals endangered. 

The Bombardom  is as the traditional admusical instrument with the community and traditional music lovers in Ngada is still survive especially in Jerebu’u sub-district. This community was ever got feel satisfied and proud of Bombardom MURI registered number 7091/R.MURI/IX/2015. The MURI record in a festival woodwind Bombardom involving participants in over 500 people that have popularized Bombardom to the whole world. 

(Adapted from http://tenyjehanas.blogspot.co.id/2016/02/alat - musik - tradisional-bombardom_.html)

By Siprianus Wara



Dero Dance

VOXRATEWATI.Com. By Wara Cypriano

Dero Dance


Dero dance is a kind of traditional dance from Ngada especially in Soa indigenous community. Dero dance is a mass dance with movement of the art, and will become more alive if accomplished by traditional and modern music.

It is a popular dance as one comes from Soa sub-district in Ngada Regency.  The dance aims to honor the ancestors, to give thanks for the harvest, and build a strong fraternal bond. Dero usual danced at Sagi customary or traditional indigenous boxing. The people is to join hands to form a circle and then move together – equal right and left backward and then forward to the music. It dance is easy to learn or practice with the elastic body movement.  The Dero dance is usually performed in the night the before the Sagi (traditional-boxing day). The dancers can come from within the village or outside the village. To dance Dero can use the custom clothing for the men (Nai Ragi) and women (Kodo Do’i). The dance accompanied with the traditional singing.

Nowadays, every person can dance Dero using the modern instruments and movements can be varied. It can be performed in is a formal or informal events such as in wedding party, thanks giving day or the government visiting in a village. The dancers can come from teens, or adults. (Adapted from: http://triofriend.blogspot.co.id/2014_11_01_arch.)